The song was sold in 1939 to Glenn Miller, who experimented with the arrangement. The Hayes recording was over three minutes in length to fit on one side of a 78 record. The band later performed a shorter version. Īrtie Shaw's version was over six minutes long and met a lackluster audience response.
Before offering it to Miller, Garland sold it in 1938 to Artie Shaw, who chose not to record it because the original arrangement was too long, but he did perform it in concert. The riff had appeared in a 1935 recording by the Mills Blue Rhythm Band entitled "There's Rhythm in Harlem", which had been composed and arranged by Garland. On this recording there was a baritone saxophone duet rather than a tenor saxophone battle. It was released as a B side to their recording of " Stardust" for Decca. The first recording of Joe Garland's version of "In the Mood" was made by Edgar Hayes and his Orchestra in 1938 with Garland participating. "Tar Paper Stomp" was copyrighted on November 6, 1941, as a pianoforte version by Peer International. Manone also discussed the issue in DownBeat magazine. Manone raised the similarity between "Tar Paper Stomp" and "In the Mood" to Joe Garland and to the publisher Shapiro, Bernstein, and Company of New York. Under copyright laws, a tune that had not been written down and registered with the copyright office could be appropriated by any musician with a good ear. Don Redman recorded "Hot and Anxious" for Brunswick in 1932. Horace Henderson used the same riff in "Hot and Anxious", which was recorded by his brother Fletcher Henderson on March 19, 1931, for Columbia under the name the Baltimore Bell Hops. It was re-released in 1935 by Wingy Manone's Orchestra. Manone recorded "Tar Paper Stomp" on August 28, 1930, in Richmond, Indiana, and released it as a 78 single for Champion Records under the name Barbecue Joe and his Hot Dogs. The main theme with repeated arpeggios rhythmically displaced appeared under the title " Tar Paper Stomp" and was credited to trumpeter Wingy Manone. "In the Mood" was an arrangement by Joe Garland based on an existing melody. At the end of the song, a coda climbs triumphantly, then sounds a sustained unison tonic pitch with a rim shot.
The arrangement has two solo sections: a "tenor fight" or chase solo-in one recording between Tex Beneke and Al Klink-and a 16-bar trumpet solo by Clyde Hurley. "In the Mood" starts with a saxophone section theme based on repeated arpeggios that are rhythmically displaced trumpets and trombones add accent riffs. Glenn Miller's "In the Mood", with " I Want to Be Happy" on the B-side, became the best-selling swing instrumental. In 1999, National Public Radio (NPR) included the 1939 Glenn Miller recording in its list of "The 100 most important American musical works of the 20th century". In 2004, the recording was inducted into the Library of Congress National Recording Registry which consists of recordings that are "culturally, historically, or aesthetically significant." In 1983, the Glenn Miller recording from 1939 was inducted into the Grammy Hall of Fame. The first recording under the name "In the Mood" was released by Edgar Hayes & His Orchestra in 1938. "In the Mood" is based on the composition " Tar Paper Stomp" by Wingy Manone. " In the Mood" is a popular big band-era jazz standard recorded by American bandleader Glenn Miller. Wingy Manone (c), Andy Razaf (w), Joe Garland (a) RCA Victor Studios, 155 East 24th Street, NYC November 27, 1939 ( ) Shapiro, Bernstein & Co., Inc., New York For other uses, see In the Mood (disambiguation). This article is about the big band-era song popularized by Glenn Miller.
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